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This is the first coherent historical account of the changing attitudes to the way art is presented in the modern museum of art. Nicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations. With authority and insight, he provides an expert view of the ways we can expect art to be displayed in the twenty-first century.
This is the first coherent historical account of the changing attitudes to the way art is presented in the modern museum of art. Nicholas Serota examines the re
Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott
The nature of perception has long been a central question in philosophy. It is of crucial importance not just in the philosophy of mind, but also in epistemolog
As the American Alliance of Museums’ (AAM) Standing Professional Committees Council tells us “exhibitions are the public face of museums. The effective pres
