Ethical Encounter

Ethical Encounter
Author: C. Cordner
Publisher: Springer
Total Pages: 217
Release: 2001-12-14
Genre: Philosophy
ISBN: 0230509177


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This book shows how our moral concepts are nourished by awe, reverence and various forms of love. These ways of encountering the world and other human beings inform our sense of good and evil, of justice and injustice, of obligation, of fidelity and betrayal, and of many virtues and vices. In ways moral philosophy commonly misses, this book shows moral understanding is broadened and deepened by what is disclosed only in these forms of encounter.


Ethical Encounter
Language: en
Pages: 217
Authors: C. Cordner
Categories: Philosophy
Type: BOOK - Published: 2001-12-14 - Publisher: Springer

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This book shows how our moral concepts are nourished by awe, reverence and various forms of love. These ways of encountering the world and other human beings in
Ethical Encounters
Language: en
Pages: 315
Authors: Janne Korkka
Categories: Literary Criticism
Type: BOOK - Published: 2013-09-01 - Publisher: Rodopi

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The problems of knowing and representing the other are acute every time we encounter a text as writers or readers. Ethical Encounters engages with the represent
Cinema Against Doublethink
Language: en
Pages: 301
Authors: David Martin-Jones
Categories: Social Science
Type: BOOK - Published: 2018-09-28 - Publisher: Routledge

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When is it OK to lie about the past? If history is a story, then everyone knows that the 'official story' is told by the winners. No matter what we may know abo
The Ethics of Encounter
Language: en
Pages: 318
Authors: Mescher, Marcus
Categories: Religion
Type: BOOK - Published: 2020-03-18 - Publisher: Orbis Books

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"The author provides an ethical framework for the "culture of encounter" that Pope Francis calls us to build"--
Ethical Encounters
Language: en
Pages: 220
Authors: Daniel Meyer-Dinkgräfe
Categories: Performing Arts
Type: BOOK - Published: 2020-06-12 - Publisher: Cambridge Scholars Publishing

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The essays on dimensions of theatre ethics at the heart of contributions to this volume demonstrate how individual academics and theatre artists have thought ab