Digital Imaging in Popular Cinema

Digital Imaging in Popular Cinema
Author: Lisa Purse
Publisher: Edinburgh University Press
Total Pages: 208
Release: 2013-01-07
Genre: Performing Arts
ISBN: 0748675620


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Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for anyone interested in how to approach film critically: it is a toolbox for contemporary film analy


Digital Imaging in Popular Cinema
Language: en
Pages: 208
Authors: Lisa Purse
Categories: Performing Arts
Type: BOOK - Published: 2013-01-07 - Publisher: Edinburgh University Press

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Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for an
Digital Imaging in Popular Cinema
Language: en
Pages: 208
Authors: Lisa Purse
Categories: Performing Arts
Type: BOOK - Published: 2013-01-07 - Publisher: Edinburgh University Press

GET EBOOK

To what extent has cinema been transformed by the advent of digital imaging? Have digital solutions to production challenges begun to change our experience of f
Digital Image Processing with Application to Digital Cinema
Language: en
Pages: 400
Authors: KS Thyagarajan
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2005-12-19 - Publisher: Taylor & Francis

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With crystal clarity, this book conveys the most current principles in digital image processing, providing both the background theory and the practical applicat
Interfacing with the Internet in Popular Cinema
Language: en
Pages: 400
Authors: A. Tucker
Categories: Social Science
Type: BOOK - Published: 2014-07-02 - Publisher: Springer

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The Internet is the most terrifying and most beautifully innovative invention of the twentieth century. Using film theory and close textual analysis, Tucker off
The Filmmaker’s Guide to Digital Imaging
Language: en
Pages: 468
Authors: Blain Brown
Categories: Performing Arts
Type: BOOK - Published: 2014-08-21 - Publisher: CRC Press

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It’s a whole new world for cinematographers, camera assistants, and postproduction artists. New equipment, new methods, and new technologies have to be learne