Death in Classical Hollywood Cinema

Death in Classical Hollywood Cinema
Author: B. Hagin
Publisher: Springer
Total Pages: 211
Release: 2010-04-09
Genre: Performing Arts
ISBN: 0230275079


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Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.


Death in Classical Hollywood Cinema
Language: en
Pages: 211
Authors: B. Hagin
Categories: Performing Arts
Type: BOOK - Published: 2010-04-09 - Publisher: Springer

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Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-
Death in Classical Hollywood Cinema
Language: en
Pages: 0
Authors: B. Hagin
Categories: Performing Arts
Type: BOOK - Published: 2010-04-09 - Publisher: Palgrave Macmillan

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Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-
The Death of Classical Cinema
Language: en
Pages: 272
Authors: Joe McElhaney
Categories: Performing Arts
Type: BOOK - Published: 2012-02-01 - Publisher: State University of New York Press

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The Death of Classical Cinema uncovers the extremely rich yet insufficiently explored dialogue between classical and modernist cinema, examining the work of thr
Death in Classical Hollywood Cinema
Language: en
Pages: 201
Authors: B. Hagin
Categories: Performing Arts
Type: BOOK - Published: 2010-04-09 - Publisher: Palgrave Macmillan

GET EBOOK

Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-
Transfigurations
Language: en
Pages: 278
Authors: Asbjørn Grønstad
Categories: Performing Arts
Type: BOOK - Published: 2008 - Publisher: Amsterdam University Press

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In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes