Dance as Text

Dance as Text
Author: Mark Franko
Publisher: Oxford University Press, USA
Total Pages: 272
Release: 2015
Genre: History
ISBN: 0199794014


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Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. He reveals the ideological tensions underlying experiments with autonomous dance in the early modern.


Dance as Text
Language: en
Pages: 272
Authors: Mark Franko
Categories: History
Type: BOOK - Published: 2015 - Publisher: Oxford University Press, USA

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Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet of the late Renaissance and early baroque. Fran
Dance as Text: Ideologies of the Baroque Body
Language: en
Pages: 272
Authors: Mark Franko
Categories: Music
Type: BOOK - Published: 2015-06-30 - Publisher: Oxford University Press

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Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573,
Dancing Modernism / Performing Politics
Language: en
Pages: 216
Authors: Mark Franko
Categories: Performing Arts
Type: BOOK - Published: 1995-08-22 - Publisher: Indiana University Press

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"... almost every page offers provocative commentary on the aesthetics and politics of modern dance." -- Signs "... [an] important step... in the ineluctable da
Text as Dance
Language: en
Pages: 0
Authors: Mark Franko
Categories: Performing Arts
Type: BOOK - Published: 2024-10-31 - Publisher:

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A groundbreaking investigation into issues of gender, power and representation of sovereignty in French Baroque dance repertoires -- in particular, court ballet
The Oxford Handbook of Dance and Reenactment
Language: en
Pages: 681
Authors: Mark Franko
Categories: Music
Type: BOOK - Published: 2017 - Publisher: Oxford University Press

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Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the no