Tape Op

Tape Op
Author: Larry Crane
Publisher: Hal Leonard Corporation
Total Pages: 276
Release: 2010-01-01
Genre: Music
ISBN: 9780977990306


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(Book). This book features interviews and articles from issues 11 to 20 of Tape Op , an independently published magazine founded in 1996. With a fiercely loyal readership, Tape Op covers creative and practical music recording topics from the famous studios to musicians creating masterpieces in their bedrooms. Creativity, technique, equipment, passion and learning collide in this entertaining, value-rich publication. Interviews and articles in this volume include Abbey Road Studio, Butch Vig, Jim Dickinson, Joe Chiccarelli, Ani DiFranco, Fugazi, The Flaming Lips, and Ween.


Tape Op
Language: en
Pages: 276
Authors: Larry Crane
Categories: Music
Type: BOOK - Published: 2010-01-01 - Publisher: Hal Leonard Corporation

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(Book). This book features interviews and articles from issues 11 to 20 of Tape Op , an independently published magazine founded in 1996. With a fiercely loyal
Home & Studio Recording
Language: en
Pages: 478
Authors:
Categories: Sound
Type: BOOK - Published: 1990 - Publisher:

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Rudiment Creativity Vol.1: Rolls and Paradiddle Rudiments
Language: en
Pages: 82
Authors: Juan Mendoza
Categories: Education
Type: BOOK - Published: 2017-08-09 - Publisher: Lulu.com

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Rudiment Creativity Vol. 1 is about achieving your maximum potential as a player and performer. As a teacher, performer and clinician, I have been asked by many
Creative Recording
Language: en
Pages: 335
Authors: Paul White
Categories: Music
Type: BOOK - Published: 2003 - Publisher: Music Sales Amer

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This is a complete guide to understanding and using studio effects and signal processors in the most creative and practical ways in the recording environment.
Creative License
Language: en
Pages: 337
Authors: Kembrew McLeod
Categories: Crafts & Hobbies
Type: BOOK - Published: 2011-03-14 - Publisher: Duke University Press

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Draws on interviews with more than 100 musicians, managers, lawyers, journalists, and scholars to critique the music industrys approach to digital sampling.