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This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films, while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions. Above all, the authors envisaged the book as a contribution to the study of modern, industrialized culture; and, in this respect, it has a particular importance to the whole area of cultural studies. With an introduction by Graham McCann.
This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enj
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many si
(Berklee Guide). Essential for anyone interested in the business, process and procedures of writing music for film or television, this book teaches the Berklee
Many musicians are finding a new market for their music scoring for films and television. This comprehensive resource guide provides all the practical tools and
As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ev