Cinema of Outsiders

Cinema of Outsiders
Author: Emanuel Levy
Publisher: NYU Press
Total Pages: 648
Release: 1999
Genre: Business & Economics
ISBN: 0814751245


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The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood's safe and innocuous entertainment. Indeed, while Hollywood studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.


Cinema of Outsiders
Language: en
Pages: 648
Authors: Emanuel Levy
Categories: Social Science
Type: BOOK - Published: 1999-09-01 - Publisher: NYU Press

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A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American cultur
Cinema of Outsiders
Language: en
Pages: 648
Authors: Emanuel Levy
Categories: Business & Economics
Type: BOOK - Published: 1999 - Publisher: NYU Press

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The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood's safe an
The Outsiders
Language: en
Pages: 274
Authors: William Thorndike
Categories: Business & Economics
Type: BOOK - Published: 2012 - Publisher: Harvard Business Press

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It's time to redefine the CEO success story. Meet eight iconoclastic leaders who helmed firms where returns on average outperformed the S&P 500 by more than 20
Parama and Other Outsiders
Language: en
Pages: 358
Authors: Shoma A. Chatterji
Categories: Feminism and motion pictures
Type: BOOK - Published: 2002 - Publisher:

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This Book Looks At The Cinema Of Aparna Sen In Acomprehensive Manner. Winner Of The National Award For Best Book On Cinema 2002.
Insiders and Outsiders in Russian Cinema
Language: en
Pages: 200
Authors: Stephen M. Norris
Categories: Performing Arts
Type: BOOK - Published: 2008-05-14 - Publisher: Indiana University Press

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“Examines in a remarkably rich and varied way the construction of otherness and foreignness within this complexly ‘national’ cinema tradition.” —John