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Cinema and the Great War concentrates on one part of the art of the war: the cinema. Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. Andrew Kelly explores the development of anti-war cinema in, Britain, America, Germany and France from the ground-breaking Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's bitter All Quiet on the Western Front through to Stanley Kubrick's magnificent Paths of Glory.
This book discusses British cinema's representation of the Great War during the 1920s. It argues that popular cinematic representations of the war offered survi
Assesses how America’s film industry remembered World War I during the interwar period. This is the definitive account of how America’s film industry rememb
Cinema and the Great War concentrates on one part of the art of the war: the cinema. Used as tool for propaganda during the war itself, by the mid 1920s cinema
This text provides a comparative analysis of how the war has been remembered in film. It looks at how national cinemas were mobilised as part of the war effort
