Christian Metz and the Codes of Cinema

Christian Metz and the Codes of Cinema
Author: Margrit Tröhler
Publisher: Film Theory in Media History
Total Pages: 0
Release: 2018
Genre: Film criticism
ISBN: 9789089648921


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A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.


Christian Metz and the Codes of Cinema
Language: en
Pages: 0
Authors: Margrit Tröhler
Categories: Film criticism
Type: BOOK - Published: 2018 - Publisher: Film Theory in Media History

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A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He a
Language and Cinema
Language: en
Pages: 305
Authors: Christian Metz
Categories: Language Arts & Disciplines
Type: BOOK - Published: 2011-11-21 - Publisher: Walter de Gruyter

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Psychoanalysis and Cinema: the Imaginary Signifier
Language: en
Pages: 336
Authors: Christian Metz
Categories: Social Science
Type: BOOK - Published: 1983-06-18 - Publisher: Palgrave Macmillan

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Film Semiotics, Metz, and Leone's Trilogy
Language: en
Pages: 244
Authors: Lane Roth
Categories: Performing Arts
Type: BOOK - Published: 2014-01-23 - Publisher: Routledge

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Semiotics offers a systematic approach to analysing the stylistic structure of film. When this study was originally published in 1983 this was a recent addition
Film Language
Language: en
Pages: 290
Authors: Christian Metz
Categories: Performing Arts
Type: BOOK - Published: 1991 - Publisher: University of Chicago Press

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A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from