African Novels and the Question of Orality

African Novels and the Question of Orality
Author: Eileen Julien
Publisher:
Total Pages: 200
Release: 1992-07-22
Genre: Literary Criticism
ISBN:


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This genre lends itself to sophisticated experimentation in political discourse. Sony Labou Tansi's La Vie et demie (1979) and Ngugi wa Thiong'o's Devil on the Cross (1982) caricature the puerile representatives of political and economic power through grotesque physical appetites and bodily deformations.


African Novels and the Question of Orality
Language: en
Pages: 200
Authors: Eileen Julien
Categories: Literary Criticism
Type: BOOK - Published: 1992-07-22 - Publisher:

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This genre lends itself to sophisticated experimentation in political discourse. Sony Labou Tansi's La Vie et demie (1979) and Ngugi wa Thiong'o's Devil on the
Oral Tradition in African Literature
Language: en
Pages: 196
Authors: Chin Ce
Categories: Literary Criticism
Type: BOOK - Published: 2015-09-04 - Publisher: African Books Collective

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This study of oral tradition in African literature is borne from the awareness that African verbal arts still survive in works of discerning writers and in the
Oral Literature in Africa
Language: en
Pages: 614
Authors: Ruth Finnegan
Categories: Social Science
Type: BOOK - Published: 2012-09 - Publisher: Open Book Publishers

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Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. B
African Literature in the Digital Age
Language: en
Pages: 218
Authors: Shola Adenekan
Categories: Literary Criticism
Type: BOOK - Published: 2021 - Publisher: Boydell & Brewer

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The first book-length study on the relationship between African literature and new media.
Ethics and Aesthetics in Toni Morrison’s Fiction
Language: en
Pages: 175
Authors: Mariangela Palladino
Categories: Literary Criticism
Type: BOOK - Published: 2018-01-22 - Publisher: BRILL

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Ethics and Aesthetics in Toni Morrison’s Fiction investigates Morrison’s aesthetics in terms of narrative’s ethical import. Morrison’s writing is concer