A Feminist Reader in Early Cinema

A Feminist Reader in Early Cinema
Author: Jennifer M. Bean
Publisher: Duke University Press
Total Pages: 593
Release: 2002-11-21
Genre: Performing Arts
ISBN: 0822383845


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A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at once alter and enrich ongoing debates over visuality and identification, authorship, stardom, and nationalist ideologies in cinema and media studies. Drawing extensively on archival research, the collection yields startling accounts of women's multiple roles as early producers, directors, writers, stars, and viewers. It also engages urgent questions about cinema's capacity for presenting a stable visual field, often at the expense of racially, sexually, or class-marked bodies. While fostering new ways of thinking about film history, A Feminist Reader in Early Cinema illuminates the many questions that the concept of "early cinema" itself raises about the relation of gender to modernism, representation, and technologies of the body. The contributors bring a number of disciplinary frameworks to bear, including not only film studies but also postcolonial studies, dance scholarship, literary analysis, philosophies of the body, and theories regarding modernism and postmodernism. Reflecting the stimulating diversity of early cinematic styles, technologies, and narrative forms, essays address a range of topics—from the dangerous sexuality of the urban flâneuse to the childlike femininity exemplified by Mary Pickford, from the Shanghai film industry to Italian diva films—looking along the way at birth-control sensation films, French crime serials, "war actualities," and the stylistic influence of art deco. Recurring throughout the volume is the protean figure of the New Woman, alternately garbed as childish tomboy, athletic star, enigmatic vamp, languid diva, working girl, kinetic flapper, and primitive exotic. Contributors. Constance Balides, Jennifer M. Bean, Kristine Butler, Mary Ann Doane, Lucy Fischer, Jane Gaines, Amelie Hastie, Sumiko Higashi, Lori Landay, Anne Morey, Diane Negra, Catherine Russell, Siobhan B. Somerville, Shelley Stamp, Gaylyn Studlar, Angela Dalle Vacche, Radha Vatsal, Kristen Whissel, Patricia White, Zhang Zhen


A Feminist Reader in Early Cinema
Language: en
Pages: 593
Authors: Jennifer M. Bean
Categories: Performing Arts
Type: BOOK - Published: 2002-11-21 - Publisher: Duke University Press

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A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at on
A Feminist Reader in Early Cinema
Language: en
Pages: 604
Authors: Jennifer M. Bean
Categories: Literary Criticism
Type: BOOK - Published: 2002-11-21 - Publisher: Duke University Press

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A Feminist Reader in Early Cinema marks a new era of feminist film scholarship. The twenty essays collected here demonstrate how feminist historiographies at on
Feminist Film Theory
Language: en
Pages: 367
Authors: Sue Thornham
Categories: Performing Arts
Type: BOOK - Published: 1999-04 - Publisher: NYU Press

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For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This ant
Issues in Feminist Film Criticism
Language: en
Pages: 492
Authors: Patricia Erens
Categories: Performing Arts
Type: BOOK - Published: 1990 - Publisher: Indiana University Press

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"This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." �
Rebecca
Language: en
Pages: 96
Authors: Patricia White
Categories: Performing Arts
Type: BOOK - Published: 2021-05-06 - Publisher: Bloomsbury Publishing

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The 1940 film adaptation of Daphne du Maurier's gothic romance Rebecca begins by echoing the novel's famous opening line, 'Last night I dreamt I went to Manderl